Agent Cast
Lex, Grant, Reid, Cal and others, each tuned for a specific function across ops, deal flow, scheduling, and creative.
MyOS by Hit Network
Agentic AI infrastructure built for media companies and creator agencies. Run ops, scheduling, communications, and creative workflows with a cast of specialized AI agents tuned to how your business actually works.
Lex, Grant, Reid, Cal and others, each tuned for a specific function across ops, deal flow, scheduling, and creative.
The reference dashboard your team actually uses. One pane to see what every agent is doing and what needs a human.
Designed inside a working creator network. Every workflow was a real problem we hit and solved before shipping it.
MyOS is an AI operating system for media companies and creator agencies. It is agentic AI infrastructure that runs the work your team would otherwise do by hand: triaging inbound deal flow, scheduling production, coordinating across creators, drafting communications, tracking creative pipelines, and keeping the operating cadence of a media business on rails.
It is not a chatbot bolted onto a CRM. It is a system of specialized agents, each tuned for a role inside the org, coordinated through a dashboard called Mission Control. Together they form the operating layer your media company runs on top of.
Hit Network runs a real creator network out of Atlanta. We ship podcasts, manage a roster, sell sponsorships, and coordinate production across multiple shows every week. We tried the off-the-shelf stack first. Project trackers, generic AI assistants, scheduling tools, CRMs glued together with automations. None of it fit how a media company actually operates.
The work in a creator agency is not a sales pipeline. It is a constant flow of inbound opportunities, creator requests, deal coordination, production schedules, brand approvals, and platform-specific delivery. Tools designed for a software sales team make you bend your workflow to fit theirs. We needed the opposite.
So we built MyOS for ourselves first. The agents handle the operating work that used to eat our days. The dashboard surfaces what needs a human decision. The system learned the shape of a creator network from the inside, because we were the ones running it. Now we are taking it to the operators outside our walls who run businesses that look like ours.
MyOS fits media companies and creator agencies that have outgrown spreadsheet ops and want AI infrastructure for creator agencies that actually understands the work.
Managing a roster of creators and a constant stream of brand inbound. You need to scale coordination without scaling overhead.
Running multiple shows, podcasts, or channels. You need an operating layer that keeps production, sponsorships, and publishing in sync.
One or two operators carrying the whole business. You need AI ops for talent agencies that buys you back hours without forcing you to hire a ten-person back office.
Most AI software for media is sold by people who have never run a media business. The pitch decks talk about creator workflows in the abstract. The product was built to sell, not to operate.
Hit Network is a working creator network. We ship shows. We manage talent. We close sponsorship deals. MyOS was the operating layer we built for ourselves because we needed it to scale without hiring our way out of every problem. The credibility is not in a sales pitch. It is in the fact that we use it every day to run a real business.
If a generic SaaS vendor tells you their AI is purpose-built for media companies and creator agencies, ask them how many creators are on their roster. We will show you ours.
Walk through Mission Control with our team. We will show you the dashboard, the agent cast, and the workflows that run Hit Network every day.
How operators put MyOS to work inside their business.
An agency with a 20-creator roster runs roster coordination, scheduling, and inbound brand triage through MyOS. The agent cast handles routing and drafting. The agency principal spends time on relationships, not logistics.
A media company receives sponsorship inbound across email, DMs, and forms. MyOS sorts, scores, and drafts initial replies. The team sees scored opportunities in Mission Control and acts on the ones worth their time.
A network running four weekly shows uses MyOS to coordinate production schedules across hosts, guests, editors, and publish cadences. Conflicts surface early. The team ships without a permanent producer holding the whiteboard.
Generic AI assistants are general-purpose chat. Workflow tools are spreadsheets with logic. MyOS is an agentic AI operating system built for the specific shape of a media company. Each agent has a defined role, the workflows are pre-mapped to creator agency operations, and the dashboard is designed for media operators, not software sales teams.
[PRICING, confirm with TJ]. We work with each operator to scope the engagement to their roster size, inbound volume, and the agent roles they need active.
No. Mission Control is built for operators, not engineers. The Hit Network team handles configuration, integrations, and onboarding. If you can run a media business, you can run MyOS.
MyOS sits on top of your stack. It does not replace your calendar, your email, or your storage. It coordinates across them. We work with your existing tools where they are useful, and we replace the pieces that were not built for media operations in the first place.
[GA VS. EARLY ACCESS STATUS, confirm with TJ]. We are working with a small set of operators outside Hit Network on the first external deployments. Reach out and we will tell you where we are in the rollout.
You do. Your roster, your deal flow, your communications, your operating data. MyOS is the operating layer on top. The underlying business data stays yours [CONTRACT TERMS, confirm with TJ].
The fastest way to understand the system is to see it running. Email Lex and we will walk you through Mission Control and the agent cast on a real call.